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The first data appears in the inscription of the pointed arch at the entrance. Though it is incomplete it reads: “… del mes de Marco de la era de Cesar de mill  et cuatrocientos et quinçe an / nos reyna[n]te el muy alto et podero[so] Don Enrrique Rey de Castilla et fiio del muy alto Rey Don Alfonso…”
The works finished in March 1377 and Herry followed then very closely, who paid for the whole work.
The interest for the Monarch was testified by this “badge”, put in the enjutas of the entrance arch. The door was thought as a complex. It was formed by two horseshoe archs (tumidos), one of them external with gypsum decorations and another one internal that is linked to the Naranjos Court, inside there is enough space to keep the doors, when these are open. That same central space was covered in the XVII century by a bricks vault. In the middle of the century the bishops Pedro Salazar and Luis de Góngora ordened to cover the ceiling with gypsum, with floral decorations, what is more: the images of the 4 evangelists the badge of this bishop, Pedro Salazar y Góngora, and in the middle a lantern. The original door, XIV century, it isn’t conserved, because he suffered a cot of restoration, though, a lot of descriptions have come, such as Ambrosio Movales’one in the XVI century: “ the arch is Muslim, the Roman style is lost , and its shape is like Godo’s and Muslim’s ones".
Manuel Nieto Cumplido, another expert, says: Ambrosio de Morales doesn’t mention nor the blind niches in the lobated arch that are along the pillars of the door, neither he little archs that previously were disposed. The primitive door was crowned by a big roof pulled up by Medallions.
The nowadays door is a result of the restoration run by Sebastián Vidal in the middle of the XVII century.
Vidal respected the oval arch but he removed the 5 little blind lobated archs. On the others hand he built a big Roman download arch, a little lowered, leant on the big pillars, wrapping the three lobated archs (XVI century). On the named arch, a big wainscot, decorated with trigliphs, in the middle you find a  sculpture: "The Eternal Father".
The door is 10 m tall x 2 m wide. They are made in pine wood, wrapped by bronze leaves, it has 2 inscriptions that remember the works by Bishop Don Pedro Salazar and Góngora: “Se / reedification/ año/ 1739” the were rebuilt in 1739.
About the fresco paintings inside three lobated archs, we have to say that middle represent "Mary, the Virgin", in the "Saint Lorenzo" and "Saint Esteban" (on each side).
In the middle of the XVI century they were changed by the "Saint Miguel" and "Saint Rafael" and in the middle: "The Mary’s Assumption", all them by Antonio Del Castillo. Luis María de las Casas Deza said that there were another paintings before: “Saint Pedro” and “Saint Pablo” and, over those, “Saint Acisclo” y “Saint Victoria", patron saints of the city.
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